
Nish Kumar: Nish, Don’t Kill My Vibe
Directed by Stuart Laws. Produced by Alastair Clayton and Nick Long. Edited by Alastair Clayton. Screened with a live Q&A.
An independent production company at Pinewood Studios, developing and producing scripted and unscripted film, television and audio, with editing, grading, sound and VFX under one roof.
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We take our time with stories, because the ones worth telling are still worth watching in ten years.
From first draft to final mix, we keep projects small enough to care about and ambitious enough to matter. Most of our work starts with a single conversation.
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Directed by Stuart Laws. Produced by Alastair Clayton and Nick Long. Edited by Alastair Clayton. Screened with a live Q&A.

Directed by Stuart Laws. Produced by Nick Long, Stuart Laws and Alastair Clayton. Edited by Alastair Clayton.

Produced by Nick Long and Stuart Laws. Edited by Alastair Clayton. Streaming worldwide on Netflix.
Character-led drama and feature documentary, developed with writer-directors from first treatment through to festival.
Scripted and unscripted, multi-camera or single camera: returning series, comedy, entertainment and documentary for UK and international broadcasters and streamers.
Talent-led podcasts, audio documentaries and scripted drama, recorded and mixed in our own studio at Pinewood.
TCM Podcast Studio ↗Stand-up specials, live shows and events, shot multi-camera in theatres across the UK, with the edit and mix back at Pinewood.
Multi-camera or single camera, scripted or unscripted. We plan the shoot and the post together, so nothing gets lost between them.

Offline and online edit, from rushes to delivery.

Colour grading and finishing for broadcast, streaming and cinema.

Dialogue editing, sound design and final mix.

Music for picture, cut and mixed to the edit.

Voiceover recording in our studio at Pinewood.

VFX and compositing, planned with you from pre-production.




We are based on the Pinewood lot in Buckinghamshire, twenty miles west of London, with stages, crews and post facilities on our doorstep.
51.5496° N, 0.5354° W
We partner with international producers as their UK co-producer, so your project can shoot, post and claim UK tax credits from one base at Pinewood.
We handle the UK side: setting up the UK production company, applying for British certification through the BFI, managing UK spend, and preparing the expenditure credit claim to HMRC with your accountants.
Qualifying films and high-end TV receive the credit as a cash payment once the claim is processed, which can be built into your finance plan from the start.
The enhanced AVEC rate for films with core budgets up to £23.5m, applied to the first £15m. The lead writer or director must be British or UK-resident, or the film must be an official co-production. Principal photography from 1 April 2024.
The standard rate for film and high-end TV. Drama, comedy and documentary series qualify as high-end TV when they average at least £1m per broadcast hour, with slots longer than 20 minutes.
For UK visual effects costs on film and high-end TV claiming the 34% rate, on spend from 1 January 2025. UK VFX costs are not limited by the 80% cap.
Rates as published by the BFI and HMRC. Credits are taxable and depend on BFI certification and HMRC rules, so we confirm eligibility for each project with you and your advisers. This is a summary, not tax advice.
Talk to us about co-producing →We read every submission from writers, directors and talent with representation, and we're always open to co-production conversations.
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